Crime and the Courts in Three Dimensions: Workshop Presentations

The workshop was immensely enjoyable and stimulating and we’d like to thank all the speakers and attendants for making it so. We hope to bring a fuller workshop report in the near future, but in the meantime the workshop presenters have made the slides of their presentations available for those interested to download. (The Mulcahy/Rowden slides are not yet available but will be added if we get them.)

Valeria Vitale, An Ontology for 3D Visualization in Cultural Heritage

The use of 3D computer graphics and modelling techniques in the study of the ancient world has been mainly limited to the display of traditional research. Often, their value has been assessed merely on aesthetic quality. Behind every scholarly 3D visualisation is a thorough study of excavation records, iconographic documentation, literary sources, artistic canons. However, this research is not always detectable in the final outcome, and 3D visualisations do not seem able to meet the standards of scientific method (reproducibility) and academic publishing (references and peer-review)…

Tim Hitchcock, Re-imagining the Voice of the Defendant at the Old Bailey

When the sessions house at the Old Bailey was rebuilt in the 1770s, a traditional open courtroom was transformed in to a fully enclosed space, with a new and complex internal layout. The relative positions of the judge, jury, defendants and witnesses where substantially reconfigured. This presentation represents a preliminary attempt to capture the significance of that transition in sound: to explore how the different actors in the legal drama of a trial heard, both their own voice, and that of other participants…

Nick Webb, Analysing historic works of architecture using digital techniques

This presentation will discuss the use of digital techniques to analyse significant works of architecture, whether they exist, are destroyed or are not built at all. A methodology is introduced for future research employing digital tools in this context. Examples will show how the process augments research already undertaken by architectural historians, who provide traditional critique and analysis, by testing such studies further using a range of contemporary digital techniques…

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